Saturday, November 17, 2018

Bill Maher and the low art of comics

Anybody who's a comic book fan has probably read what Bill Maher has had to say about Stan Lee. Apparently, Maher doesn't see what the big deal is, and he thinks that comic books can't be sophisticated because they contain pictures. I'm not going to go too into Bill Maher here. I lean pretty left, so I appreciate when he criticizes conservatives and Trump. However, he's a tremendous hypocrite for calling out the right for its climate change science denial while espousing scientific illiteracy when it comes to vaccines and GMOs. (And even though he's an atheist like myself, his movie Religulous contained a lot of really bad arguments.)

Anyway, Neil Gaiman said it best with his tweet: "More people cared about Stan Lee’s death than care about Bill Maher alive."

With that said, I wish that people would get over the whole thing with mixing words and pictures. Literature can be high art, correct? So can drawings, right? Why is it bad when you put them together, either in a comic book or a picture book? Most people can't draw much of anything, much less draw well. Artists, including comic book artists, take years and years to develop their skills. When it comes to comic book artists, they not only need to know how to draw, they need to know how to tell a story with pictures. Ever look at a comic and get confused as to what order you should look at things? While the problem might be with you, chances are also good that the artist doesn't know how to construct a page just right so your eye flows naturally from one panel to the next.

I realize that lots of people are already citing works like Maus and Watchmen as examples of the genre achieving high-art status. That's worth mentioning, but even if we didn't have these ready examples, the very notion of panning an entire art form is just ridiculous.

Think of it this way: if the problem with comic books is that they require pictures and can't just use words, then what does that say about every other form of art?

Music? No thank you. I'll just read books of poetry because I don't need somebody to sing it to me! Some of those songs don't even have words!

Those folks who see live productions of Shakespeare? What, they need a bunch of actors to perform the play for them? Why can't they just read it? It's all published in books!

Ever go to an art museum? Why? Don't you know how to read?

The irony of it all is that the basis of Maher's criticism is one that can be leveled much more effectively at the way he makes his living - television. What, that's high art all of a sudden? (I believe that it can be, but if only comics or television can be on the list of high art, I'll put comics first.)

I reckon that Maher probably hasn't looked at a comic book since he was a kid, and he figures that they're all the same as they were back then. (But I also hate the idea of disparaging entertainment made for kids. That can be just as great as anything else.)

I don't expect everybody to have the same depth of knowledge about comics history that I do, but I wonder if Maher would be surprised if he found out that his attitude is rooted in one that was spearheaded by puritanical religious zealots who sought to ban comic books in the 1950s. The medium has been getting more and more respectable over the years, attracting a more diverse audience. I've been reading them for over 30 years, and I used to hear people say stuff like what Maher did all the time. I guess it just kinda shocked me that a guy who did a cameo in Iron Man 3 would be so totally clueless. Surely he knows and interacts with some pretty intelligent comic book readers?

Lastly, he tries to draw a link between the fact that we take comic books seriously in this country and we elected Donald Trump to the presidency. I guess Maher also doesn't know how much more respected comic books are in Europe and Japan.

Whatever. The man likes to feel like he's better than all the rubes out there, but somebody needs to tell him that you need to choose between being condescending and being full of shit. You don't get to do both.













Monday, November 12, 2018

Excelsior to the Man

It's rare that I get sad or even shed a tear when it comes to a celebrity death. Today is different though because Stan Lee has passed away. It's not like this was sudden and unexpected. The man made it to 95, and his ailing health has been in the news. It still hits me hard though because I feel like it's the end of something more than just one of my favorite creators.

I don't know how old I was when I first became aware of Stan Lee. I remember that he narrated Spider-Man and his Amazing Friends, so I must have been around seven or eight. I remember that my sister had to correct me, as I thought he kept saying "This is Stanley" as opposed to "Stan Lee".

I've met him four times in my life. I remember the first time, when I was probably twelve or thirteen, I told him that I had been a fan of Spider-Man my whole life. I'm not sure what he said in reply, but it was a witty/funny/heartfelt response.

The second time, when I got him to sign the first issue of the Silver Surfer story that he did with Moebius, I told him that my mother had also read and enjoyed that particular comic. He responded with "Tell your mother I said hello."

I honestly don't remember the third time, but I have the autograph from 1991 to prove it.

The fourth time was just a few years ago when he did a signing at my local comic book shop, Flying Colors Comics. My wife wanted to be there, but she had jury duty. My son was only four years old, and wouldn't understand why we were waiting in line. I wanted them to be a part of it though, so I got Stan to hold up a picture of my wife and son for the photo I got. He seemed to get a genuine kick out of it. When I thanked him for coming out to do the signing, he replied, "Yeah, that was awfully nice of me to do that."

It's hard for me to convey just how much Stan Lee means to me. If you scroll through my blog, you'll see that I write a lot about comics. While comics would certainly exist without him, I'm not sure that I even would have gotten hooked if it had not been for him. While I read all sorts of stuff now, it was Marvel Comics that sparked my imagination initially. And while it's true that creators like Steve Ditko and Jack Kirby did not receive their fair share of credit and attention, Marvel would not be Marvel if it wasn't for Stan Lee.

When my son was really little, I read to him some of those old Lee/Ditko Spider-Man issues. While Ditko's art is something that I have grown to appreciate over time, I always enjoyed Lee's dialogue, and reading it out loud made me realize how much of the very character of Marvel Comics is due to his way with words.

Stan Lee always managed to balance fun and gravitas at the same time. The titles of the stories set the reader up for this unique mix of storytelling: "When Falls the Meteor!", "Where Flies the Beetle!", and "If This Be My Destiny!" This is some serious stuff, dammit! But you're going to enjoy every second of it, double dammit! And even if your first Marvel Comic wasn't written by him, his style continued to permeate throughout the books long after he stopped writing them on a regular basis.

I think that this is one of the reason why I love the Marvel movies so much. Is there anything more fun than watching Thor and Rocket Raccoon have a heart-to-heart talk over the fact that Thor no longer has anything left to lose in his life? But at the same time, it's all taken very seriously, and you can feel empathy for both a talking raccoon and the god of thunder. That's some Stan Lee influence right there, and I think the movie makers, from the producer to the director to the actors, would be the first ones to admit that.

Speaking of the movies, one thing that's great to know is that Stan finally got to see all of those characters finally get the respect they deserve from Hollywood. I remember when I saw him for the first time at a convention, he was talking about the inevitable release of all kinds of movies based on Marvel characters. I remember telling my uncle all about that, and he had to break it to me that Stan had been hyping all kinds of projects ever since he moved out to Hollywood, and most of these projects never saw the light of day, and those that did were major clunkers (see Dolph Lundgren in The Punisher).

I doubt that I'm going to be the only one writing a tribute to Stan who touches on the fact that his biggest talent was as a master of hype. Yeah, he could write a good story, and he changed the way superhero comics were done, but his biggest skill was getting people excited. That was right there on the page, but it also would come through in that unmistakable, charismatic voice of his. (He doesn't just get all of those cameos because of his creator credits!)

Anyway, this one is hard on me because it feels like something bigger has come to an end. Stan was around during the Golden Age of Comics. He changed the way things were done during what he (of course) dubbed The Marvel Age of Comics. While he may not have been doing regular monthly books by the time I started reading in the 1980s, his presence was always there. My son, who only takes a passing interest in superhero comics, knows who he is. My wife knows who he is. Shoot, pretty much everyone knows who he is.

I often share obituaries of important comic book creators on Facebook. I usually only get a few people who like/comment, as not many people know who they are.

Everybody knows Stan Lee though. I don't think that there's another comic book creator where I can say the same.